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Koudelka
infoクーデルカ
Platforms: PS1
Year: 1999
Catalog Number: PCCB-00396
Published by: Pony Canyon, Scitron
Number of Files: 34
Total Filesize: 117 MB (MP3), 330 MB (FLAC)
Date Added: Dec 20th, 2024
| Change Log
Album type: Soundtrack
Uploaded by: riheko3606
|
Description
Music Composed & Arranged by Hiroki Kikuta
-Requiem-
Soprano: Catherine Bott
Percussion: Yuki Sugawara
-Dead-
String Arranger: Nick Ingman
Violins: Maciej Rakowski, Harriet Davies
Viola: Nick Barr
Cello: Dave Daniels
-Ubi caritas et amor-
Composer: Maurice Durufle
Chorus Arranger: Nick Ingman
Conductor: Michael Mccarthy
Boys Chorus by The London Oratory School
Andrew Konieczny, Damian Gibbs, Edward Ross, Gerard Lee, Guillermo Lloretfarina, James Ward, Robert Crowley, Sean Conner, James Boden, Finbar Gibbons, Colin Patne, Cormac Seachoy, Simon Valdesbarraclough, Eoin Mccarthy, Roberto Bryce, Edward Boden
Production Manager: Shigeru Ohtake
Recording in Air studio Lyndhurst Hall London linked with Bunkamura studio Tokyo
Recording Mixer: Geoff Foster
Recording Assistant: Ben Georgiades, Ryu Kato
Technical Advisor: Atsushi Saito
Computer Operator: Takahito Yanai
Choral Coordinator: Jenny O'grady
Mixing in Studio Vincent Tokyo
Recording Mixer: Hiroshi Tokunaga
Recording Assistant: Akio Hara
Protools Operator: Tsuyoshi Kaizawa
Live Version (32, 33, 34)
Arranged by Naoya Akimoto
Musicians
Vocal: Remi Tanaka
Guitars: Naoya Akimoto
Drums: Masaharu Ishikawa
Bass: Motofumi Ogiwara
Keyboards: Tadasuke Suzuki
Recorded at Zepp Tokyo (27 Aug, 1999)
Recording Systems: Sound Creators Inc.
Engineered by Yuzuru Nakayama (Studio Sound Ship)
Assistant: Takayuki Kaneko, Takeshi Nagano, Tomomi Shimura, Yoshinori Yamamiya
Stage Manager: Suguru Okada (Tempofes)
Promoter: Hiroyuki Kojima (SDF), Hideaki Yabe (SDF), Yuichi Sakamoto (SDF)
P.A.: Atsushi Hashimoto (TWO-MIX)
Lighting: Taro Kondo (T-Design)
Musicians Support: Ryota Torisu (CMC)
Photographer: Shoji Miyamoto
Hair & Make Up: Misaki Higashino
Produced by Yoshihiro Ohno (Scitron & Art Inc.), Takao Noma (Pony Canyon)
Directed by Keiichi Ogawa (Scitron & Art Inc.), Kazuhiro Orihara (Pony Canyon), Shinichi Nakamura (Pony Canyon),
Recorded & Mixed at Studio Sound Ship
Mastered by Akiko Seki (Pony Canyon)
Design by Nada (Scitron & Art Inc.)
Special Thanks to Takashi Kaga (SNK), Akio Nakamura (SNK), Jun Mihara (Sacnoth), Hajime Tatsuya (Sacnoth)
Executive Producer: Kazusuke Obi (Scitron & Art Inc.), Kunihiko Ishizaki (Pony Canyon)
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COMMENTS
Genial! Realmente espectacular el tema del "scene 20", años buscándolo.... Muchas gracias!
When people ask me what my favourite video game is, they assume it will be FF7 or one of the Zelda games - they never expect me to say Koudelka (though I do love the previous games mentioned). Tbh, most have never even heard of Koudelka. It's a gothic delight, with a dark atmosphere which is reflected in the music. The game is the prequel to the Shadow Hearts games - which is more well known than the prequel game.
Fort there is a series to the game, it's called shadow hearts.
@fort: the series goes on with "Shadow Hearts" and "Shadow Hearts 2 Covenant"
One of ther best game EVER!!!!
I love this music, and shame that they haven't make a series of this game...
A true masterpiece in every sense of the word. Battle music may not be very "horror" but it is a beautiful composition which makes a wonderful change from the usual in horror RPG's. Hiroki Kikuta is a genius.
The battle music, especially "05 Incantation Again" really grew on me as I played the game. It is much different than most combat related game music in which it's smooth and has a calming rhythm that made the difficult battle system in the game tolerable.
The "live" versions on this album are also a cool aspect to the game now that I've long since completed it. It put a new spin on music I thought was awesome, I really liked it.
Koudelka was generally unpopular, yet however ecclectic the game and this were, I personally love it. The "Live" songs are particularly interesting.
A lot of hard core gamers dissed this soundtrack because it wasn't gaudy or loud or violent, but the sheer smoothness of it, the rhythmic patterns were a welcome change from the usual. I am a hardcore gamer also, but just for its uniqueness, this one is a complete winner.
riheko3606
03:49 Dec 20th, 2024Offline