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ZUKI-iN

ZUKI-iN 1995 冬 [KAKI-IN 1993・夏] RETURNS

Year: 1995
Catalog Number: TTRC-0013
Published by: Troubadour Record

Number of Files: 12
Total Filesize: 113 MB (MP3), 374 MB (FLAC)
Date Added: Jun 20th, 2024   | Change Log
Album type: Inspired By

Description

01 artist: Takayuki Aihara / compose: Shinji Hosoe / arrange: Takayuki Aihara
02 artist: Yasuhisa Watanabe / compose+arrange: Yasuhisa Watanabe
03 artist: Taihey Satoh / compose+arrange: Taihey Satoh
04 artist: Yuri Misumi / compose+arrange: Yuri Misumi
05 artist: Shinji Hosoe / compose+arrange: Shinji Hosoe
06 artist: Nobuyoshi Sano / compose+arrange: Nobuyoshi Sano
07 artist: Hiroto Sasaki / compose+arrange: Hiroto Sasaki
08 artist: Ayako Saso / compose+arrange: Ayako Saso
09 artist: George Iijima / compose+arrange: George Iijima / Bass & Vocals: Yuuji Komatsu / mix: Kazuhiro Yamahara
10 artist: Takayuki Aihara / compose+arrange: Takayuki Aihara
11 artist: GANASIA / compose+arrange+words: Takumi Ozawa (GANASIA)
12 artist: B.K.O / compose+arrange: Keiichi Okabe / words: Taro Ochi

Producer: Takayuki Aihara
Director: Shinji Hosoe
Recording Engineer: Shinji Hosoe
Recording Assistant: Ayako Saso
Tape Editer: Hiroto Sasaki
Art Director: Shigeru Goto
Illustrator: Ryo Ramiya
Designer: Shigeru Goto
Production Manager: Shin'ichi Ogawa
Production Coordinator: Noriko Kitayama, Ikuko Ebata
Special Thanks: Kazuhiro Ukai, STUDIO WALK


Track 2 was later re-arranged and used in Puchi Carat.

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Great wall (1993)	Carnaval / Aihara Takayuki (1997)	PSY FORCE (1998)	Be filled with feeling (1992)	Mainline Voyage / sanodg (1996)	TECHNO the FUTURE / Zunba Kobayashi (1999)

COMMENTS

+ Comment

bepisvalleygranolabars

03:55 Jul 21st, 2026Offline

My Rating: 8.37/10
Personal Favorites: Tracks 1, 2, 6, 8

Man, I love these 90s doujins. A lot of personality here and the whole thing is very interesting, but a lot of it is quite imperfect, as doujins tend to be. The opening two tracks start fairly strong and optimistic. The rest of the album is consistently of good quality, but flawed at points. For instance, track 6 has nice beats, but the vocalizer is just a bit too crackly and difficult to understand. Track 7 has this intentionally quirky but slightly inharmonious and synth-y sound, which is stylistic of course but still affects one's desire to relisten. Track 8 has a really interesting narrative with including sounds of being late, but the song is so good I wish it didn't have those background effects. Track 9 is more trad rock, which is alright, but not stellar. Track 10 uses a lot of computerized vocal clips, but it's a bit weak overall. Track 11 ends the album with a bright and happy song with decent vocals but isn't overall too stellar. Anyhow, the whole thing is worth a listen- I don't know how much of it I'll come back to listen to, but it's definitely worth at least one listen-through.