Year: 2021
Catalog Number: FKSP020
Published by: Finders Keepers Records
Number of Files: 3
Total Filesize: 12 MB (MP3), 61 MB (FLAC)
Date Added: Sep 1st, 2025
Album type: Single
Uploaded by: IgoreshaZhu
# | Song Name | MP3 | FLAC | ||||
---|---|---|---|---|---|---|---|
1. | Xenon (Long Effects) | 4:54 | 6.71 MB | 32.65 MB | get_app | playlist_add |
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2. | Xenon (Short Effects) | 3:52 | 4.55 MB | 23.17 MB | get_app | playlist_add |
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3. | Xenon (Vocal Effects) | 0:59 | 1.14 MB | 5.13 MB | get_app | playlist_add |
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Total: | 9m 46s | 12 MB | 61 MB |
Greg Kmiec’s Xenon pinball machine was released in 1980 and marked a significant milestone in pinball technology and design. The expansion of microchip technology would provide new opportunities for sound designer and synth pioneer Suzanne Ciani, allowing for basic oscillator control and a wider scope for sampling capacity which could facilitate the higher frequencies of a female human voice and entirely reshape the concept of the machine in the process. By using state of the art Synclavier synthesiser technology and an invaluable experience in film scoring and record production Suzanne would devise a complete minimal music score for the machine, then dissect the piece into separate fragments that would be triggered throughout the game play adding an extra creative dimension in player inter-activity (potentially turning the participant into their own musical arranger). By incorporating her own infamous voice box (which had been the focus of a seminal David Letterman Show feature) Suzanne’s combination of a harmoniser and a vocoder also provided the first-ever female identity to a pinball machine which in conjunction with the games ergonomic design and Paul Faris’ figurative graphics (echoing the aesthetic of Rene Laloux and Roland Topor’s La Planète Sauvage) Xenon was able to add a degree of subconscious sensuality to its performance, a feature previously unchartered in arcade development.
IgoreshaZhu
04:52 Sep 1st, 2025Online