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プライベート･アイ･ドル

Platforms: TurboGrafx-16
Year: 1995
Developed by: NEC Home Electronics
Published by: HuneX Co.

Number of Files: 50
Total Filesize: 140 MB (MP3), 2,031 MB (FLAC)
Date Added: Nov 15th, 2023
Album type: Gamerip
Uploaded by: ViviVGM



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Download all songs at once: click to download (FLAC+MP3)
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  # Song Name MP3 FLAC    
 
 1. Track 1 1:37 3.09 MB 46.45 MB get_app
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 2. Track 2 1:20 2.27 MB 33.13 MB get_app
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 3. Track 3 1:41 3.13 MB 41.39 MB get_app
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 4. Track 4 1:36 2.97 MB 38.26 MB get_app
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 5. Track 5 2:09 3.76 MB 59.54 MB get_app
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 6. Track 6 1:02 1.88 MB 24.63 MB get_app
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 7. Track 7 0:49 1.42 MB 22.72 MB get_app
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 8. Track 8 0:36 1.04 MB 16.56 MB get_app
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 9. Track 9 0:16 0.57 MB 6.53 MB get_app
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 10. Track 10 1:40 2.81 MB 48.43 MB get_app
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 11. Track 11 1:21 2.57 MB 35.27 MB get_app
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 12. Track 12 1:19 2.27 MB 34.91 MB get_app
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 13. Track 13 1:39 2.95 MB 47.50 MB get_app
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 14. Track 14 1:36 2.53 MB 43.29 MB get_app
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 15. Track 15 1:36 2.55 MB 45.62 MB get_app
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 16. Track 16 1:42 3.27 MB 43.99 MB get_app
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 17. Track 17 1:21 2.68 MB 37.78 MB get_app
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 18. Track 18 1:45 3.12 MB 51.42 MB get_app
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 19. Track 19 1:47 3.32 MB 43.36 MB get_app
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 20. Track 20 1:12 2.33 MB 35.53 MB get_app
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 21. Track 21 1:03 1.82 MB 32.21 MB get_app
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 22. Track 22 0:17 0.53 MB 7.33 MB get_app
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 23. Track 23 1:21 2.51 MB 39.16 MB get_app
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 24. Track 24 1:29 2.50 MB 43.54 MB get_app
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 25. Track 25 1:16 2.31 MB 35.90 MB get_app
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 26. Track 26 1:23 2.39 MB 39.32 MB get_app
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 27. Track 27 1:30 2.76 MB 44.35 MB get_app
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 28. Track 28 1:36 2.78 MB 43.29 MB get_app
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 29. Track 29 2:06 3.59 MB 57.52 MB get_app
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 30. Track 30 1:33 2.76 MB 44.18 MB get_app
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 31. Track 31 1:24 2.45 MB 39.92 MB get_app
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 32. Track 32 0:25 0.71 MB 11.42 MB get_app
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 33. Track 33 0:55 1.84 MB 24.72 MB get_app
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 34. Track 34 1:18 2.63 MB 35.36 MB get_app
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 35. Track 35 0:10 0.33 MB 3.98 MB get_app
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 36. Track 36 3:40 7.13 MB 105.54 MB get_app
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 37. Track 37 1:58 3.75 MB 46.55 MB get_app
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 38. Track 38 2:27 4.60 MB 51.22 MB get_app
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 39. Track 39 0:52 1.70 MB 21.53 MB get_app
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 40. Track 40 1:07 2.32 MB 31.70 MB get_app
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 41. Track 41 1:45 3.15 MB 35.19 MB get_app
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 42. Track 42 1:13 2.43 MB 34.98 MB get_app
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 43. Track 43 1:39 2.96 MB 33.59 MB get_app
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 44. Track 44 1:52 3.79 MB 53.25 MB get_app
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 45. Track 45 1:31 3.03 MB 37.12 MB get_app
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 46. Track 46 1:59 3.78 MB 51.10 MB get_app
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 47. Track 47 0:45 1.34 MB 16.34 MB get_app
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 48. Track 48 2:12 3.86 MB 50.24 MB get_app
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 49. Track 49 3:43 6.71 MB 101.39 MB get_app
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 50. Track 50 3:44 7.05 MB 102.36 MB get_app
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Description

Some day in the near future, the crew of an "idol" (a popular culture star) takes a ride on the bus through the countryside. One of the female crew members unexpectedly faints and is taken by her friends into an abandoned mansion discovered nearby. Very soon, however, the accident begins to repeat itself, and evidence of a gruesome murder and possible ghostly presence in the mansion surfaces. Mei Star, an investigator with the team, and her computerized holographic assistant Navi must solve the mystery before it becomes too late.

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COMMENTS

+ Comment

bepisvalleygranolabars

04:16 Feb 9th, 2024Offline

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My rating: 7.37/10
Best Tracks: 49 (vocals), 50 (same song but no vocals)
Also Good: Tracks 14, 24, 25, 27, 30, 46-47 (starting at 1:09 in track 46 continuing into 47)

This album is a mess, especially considering it came out in 1995 on the Turbografx- that's a year after the PC-FX was released! Anyway, the first half of the tracks (1-32) are native Turbografx synth and they start bad. The instrumentation of these are basic and the composer was obviously learning on the job, albeit the songs do get better near the end. After that, tracks 33-50 are CD Audio, most of which are quite frankly unimpressive. There's one good track that's bisected across two tracks (46-47, the only one that does this!) and a good vocal song (track 49) that's obviously done by professionals and where they spent all their money. Overall, even though most the album is mediocre and sometimes dull, it does have some higher points. But for 1995? The synth is weak and is something you'd expect coming out of the late 80s when composers were just learning the system.